Friday, December 31, 2010

For Auld Lang Syne


Auld Lang Syne has been going through my head all day! That wistful longing for days past, the regret for unfufilled resolutions and maybe a bit of apprehension for the future.
At the same time tomorrow is (as Scarlett reminds us) another day. And another year, another opportunity to do a little better and be a little better!

Thursday, December 2, 2010

Looking Eastward



Nothing could prepare me for the call on Thanksgiving morning informing us that in the Ukraine Ashley was in the hospital with stomach pains. Ashley trying to be positive... Ashley crying ...Ultrasound tomorrow...Probably not appendicitis...And then there's the friendly Peace Corps official calling from Washington cheerfully offering that as she is still in training she would get really good care "lots of people to help her there now, it's when she's on her own that you'd be concerned". WHAT??!

Fortunately, everything worked out fine. She's fine- nothing serious! I talked to her yesterday and she is back to normal. Whew! Okay, steady now...just two years to go.

I have an amazing friend, Cathy, who I swear has a pipeline directly to God (she would say we all do!) We are separated by 800 miles and yet whenever I have a crisis in my life she just seems to know. She called me just after all this happened and prayed with me. It was Thanksgiving and after speaking to Cathy I felt grateful for so many things- for her friendship of course-for my family, for the doctors and nurses caring for my child half a world away, for the communication that makes it possible to check on her so easily, for her wonderful host mother who stayed with her throughout her ordeal. For people of Faith and Service. And for having a daughter who can make this kind of committment.

I wake up every morning just before dawn- I like to watch the sunrise. Looking eastward, I think of my Ashley, already well into her day and there is gratitude and thanks giving as I remember how wonderful this world can be.

Thursday, September 30, 2010

The Four Gospels











I love the imagery in illuminated manuscripts- the brilliant and faded colors, the gold, the flat patterning, the fanciful beasts. I like to think about the monks who made them so patiently and the love and devotion that went into their creation. I've learned that most of the monks were literate, but not all , so it is possible to find mistakes as some copied words that they didn't understand. And to think of who owned these books. Some were owned by wealthy people who possessed them as status symbols. Some were to grace altars, to be read on special occassions. Some were plundered in wars and stripped of their valuable jeweled bindings. I think of the words they contained, written in Latin and how common people who attended the mass might not understand what was being said, but they would be comforted anyway. Thinking about... a knowing that transcends language.When I made this series I was also looking for a way to express what Rilke says in his advice to a young poet-to not look for answers. To paraphrase: "Love the questions- as if they were locked rooms and books written in a very foreign language- you wouldn't understand the answers if they were given to you- live into the questions and someday you will find yourself living the answer". These pieces are collaged with bits of newspaper and wax (which was the surface used by Romans to write everyday correspondence) to show the ephemeral nature of words, past and present. The newspapers are in Swedish, French, Spanish and Russian- a very foreign language to me. The images are taken from the Book of Kells to represent the enduring power of Spirit- which is ineffable.
These four mixed media pieces represent the four saints. Traditionally, Matthew is symbolized by man, Mark by the lion, Luke as the ox and John as the eagle.
From Catholic Forum.com : "The reasons for this assignment are usually explained by saying that the more human symbol is appropriate to the Evangelist who traces the human ancestry of Christ; the Lion to him whose gospel of Jesus Christ begins with" the voice of one crying in the wilderness;" the Ox to him who writes especially of the priesthood and of sacrifice, of which the ox is symbolical; and the Eagle to him whose inspiration soared to the loftiest heights, and enabled him to reach the paramount human perception of the dual nature of Jesus Christ."

I have become very interested in ecclesiastical art lately. The act of making art as prayer is a concept that is common in all the great religions of the world and a transcendent experience.

Sunday, September 26, 2010

Pilsen East Artists Open House


I'll be showing some of my recent work at the 40th Annual Pilsen East Artists Open House next weekend! Please check out my "older posts" on this blog to see what I'll be showing and bring your friends. My gallery is located at 1833 Halsted.

I am sharing this space with four other wonderful artists. We look forward to seeing you!

Wednesday, September 22, 2010

Autumn


In many societies, autumn brings the New Year. That seems very right to me-it's a natural time for endings and new beginnings. It's especially so for us now, my daughter leaves for her post in the Ukraine with the Peace Corps in a few days time. How can I express my feelings about this? I am so proud of her, for making this commitment and for setting off like a pioneer into the Big Unknown! Time to test my belief that, as Kahlil Gibran tells us in The Prophet- our children are not our own, but the children of Life longing for itself. "You are the bows from which your children, as living arrows are set forth. The Archer sees his mark upon the path of the infinite and He bends you with His might that His arrows may go swift and far....."

Friday, August 13, 2010

Summer Birds


The summer is slipping away without a new post....

Happy summer holidays, lots of gardening- a few personal challenges, and there goes the season!


I'm getting a bit of artwork done, but mostly just preparing myself for Ashley's departure next month. She is going to spend the next two years in the Ukraine where she will be teaching secondary school English for the Peace Corps.
Guess where I'll be this time next year?!

Wednesday, May 26, 2010

Fairy Garden



I made this gazebo for the "fairy garden" I created in an old patio fireplace. There is a little gazing ball in front of it for the fairies to cast their magic spells. It seems that a little fairy has already taken residence!

Saturday, May 1, 2010

May Day

On the first of May I like to make May baskets for women who are kindred spirits- who inspire me. I tried to make the colors of their baskets reflect the qualities I most admire in each:

The blue and green one is for Ibtisam - those are her Pisces colors-and they symbolize the element of water. Water, in turn, being the symbol of deep emotion, life and motherhood. She is the perfect mother "her children rise up and call her blessed". Deeply loving, caring and gentle, she inspires me with her humanity.
The pink one is for Anne-who is as perfect as an English rose. She inspires me with her exquisite taste in everything she touches. Her home, her garden and her person are all lovely in every way!
Kendra was born in February and is represented by the color purple. Purple is associated with inner vision. Kendra inspires me with her boundless creativity and craftsmanship and her ability to manifest her inner vision. Where I would say "good enough" she always takes the time to do it right.

Sunday, March 21, 2010

Girl With a Blue Cap

This is a little sketch I did from Whistler's "Girl With a Blue Cap". The painting is in the collection of The Art Institute of Chicago.

Saturday, March 20, 2010

Spring Birds

Today is the first day of Spring and yet, it is snowing in Naperville! Still, it is a beautiful day of new beginnings!

Tuesday, March 2, 2010

The Gospel of Luke

I did a series of the four gospels for the show in Pilsen last year. I sold them, but I really wanted to have them for myself! So, I'm reworking them while trying to maintain the same feeling.
I love the imagery in illuminated manuscripts- the brilliant and faded colors, the gold, the flat patterning, the fanciful beasts. I like to think about the monks who made them so patiently and the love and devotion that went into their creation. I've learned that most of the monks were literate, but not all , so it is possible to find mistakes as some copied words that they didn't understand. And to think of who owned these books. Some were owned by wealthy people who possessed them as status symbols. Some were to grace altars, to be read on special occassions. Some were plundered in wars and stripped of their valuable jeweled bindings. I think of the words they contained, written in Latin and how common people who attended the mass might not understand what was being said, but they would be comforted anyway. Thinking about... a knowing that transcends language.

When I made this piece I was also looking for a way to express what Rilke says in his advice to a young poet-to not look for answers. To paraphrase: "Love the questions- as if they were locked rooms and books written in a very foreign language- you wouldn't understand the answers if they were given to you- live into the questions and someday you will find yourself living the answer".
This piece is collaged with bits of newspaper and wax (which was the surface used by Romans to write everyday correspondence) to show the ephemeral nature of words, past and present. The newspaper is Swedish- a very foreign language to me. The image of Luke is taken from the Book of Kells to represent the enduring power of Spirit- which is ineffable.

Sunday, February 28, 2010

Bastille Day

This piece began with a key that I found in a bag of trinkets from the craft store. It made me think of the key to the Bastille that my family and I saw at Mt. Vernon many years ago. That key had been given to Washington by Lafayette after the French Revolution. It's meant to symbolize freedom over tyranny. I didn't think too much about it at the time- just thought how cool that was. To me, Bastille Day was kind of a fun, quasi-patriotic occasion. I knew the outline of the events as I knew the events of the American Revolution; a pristine collection of dates, facts and iconic characters. The pageant of history is bloodless. The reality is elusive and indefinable.
It's so easy to see historical events in terms of right and wrong- good and evil. The ends are said to justify the means. So often we find that what we thought was true was just so much nationalistic propaganda. Who was right? Who can say?

I tried to bring these thoughts together in this piece called "Bastille Day". The key represents the "key to freedom from tyranny". The grille is ornate but rusted- evoking the decay of the dissipated aristocracy. A red ribbon twines about the key like a fasces, a symbol of ancient Rome adopted by the Revolution. It is suspended from the grille as if from a neck- to signify the red ribbons allegedly worn by the relatives of guillotined victims. The grille is set in what appears to be a stone casement, but looking closely the "stones" are made of newspaper. Ephemeral and - subjective. Through the grille we see a brilliant red and orange light- is it the dawn of freedom or the mouth of hell that is about to be unleashed?

Friday, February 26, 2010

Arachne

This was a fun project to work on. This winter I've been mining the rich imagery of Roman and Greek myths for ideas in my work. Arachne's story is a cautionary tale. It seems that Arachne boasted that no one could weave as well as she, not even the patron goddess of craft Minerva (Athena). She had forgotten that her skill was due in part to the muse of the craft. At any rate, she challenged Minerva to a 'weave off" and won! Unfortunately, Minerva was a sore loser and turned her into a spider, like you do, and that is why the spider spins webs to this day!

This is my weaving, made with copper, canvas and fiber. I like the rusty plate in the center with the copper thread woven to look like a spider.

Elysium

I've been thinking about Heaven, the afterlife and the ways different cultures perceive it to be. The Greeks of antiquity had a vision of heaven they called The Elysian Fields or Elysium. It was located at the western edge of the earth, by the banks of the river Oceanus. It was a paradise where the worthiest humans had their final rest. Lesser mortals lived out a monotonous eternity in the fields of Asphodel where they would feel neither pain nor bliss. It's interesting to think that so many cultures have different levels of reward in the afterlife according to ones virtue.

So here is my vision of Elysium- The earth swims in the stream of Oceanus, and on the walls of the niche is a ship making its way west. Overall I just wanted to show the peace of the experience of leaving this world for another. The pictures we've seen of Earth from space always astound me. It is so quiet and pure. It's like looking at the city from a very tall building, the noise and confusion and pollution is smoothed over and there is only silence.

Thursday, February 25, 2010

The Hare

I've had this neat frame for a long time, but I couldn't decide what to put in it. I was inspired to put this together by some of the things I've seen by the wonderful late 19th early 20th century artist William Morris. I've cropped one of the prints I'm offering at my etsy shop. I love that waxing moon charm!

Psyche (inside view)


A little hard to see, but this is what is under the glass butterfly.

Psyche

Psyche- from the Greek word meaning breath or soul. The story of Psyche's journey to wholeness is a lovely myth that has often been depicted in art. In short, Psyche is a human woman who has to go through seemingly impossible tasks, assigned by Venus, the jealous mother of her beloved Cupid. She is aided all along the way by creatures of the earth and at her most desperate hour by the true love of Cupid. In the end she is made immortal by Zeus.
So here are the elements of my "altar" to Psyche-I think of birds and butterflies as the embodiment of the human soul. In ancient days it was believed that the soul was a bird that flew to the heavens in the ship that was the crescent moon. This "moon boat" journeyed through it's progressive phases, to the sun.
I was delighted to find these little arrows that had the shape of a crescent moon on them. Arrows of course being the chief symbol of Cupid himself. The number three is also significant, because of Psyche's association with the number three ( Body, mind and soul). I lined them up to indicate that her path was lined up for her. When the soul is weary and confused there is always help. If you look for signs , they are there and help is always at hand in our darkest times. The map further underlines this point. Half the canvas is covered with what I hope reads as water- specifically waves, a reminder that she was sent on this mission by the one who was born of the seafoam. Water is the element that most describes our soul.
I wanted to use glass in this piece- we so often hear the phrase "window to the soul". I guess that's mostly in association with the eyes- but the idea that a soul can be glimpsed, even sensed, though not really seen intrigues me. Glass- fragile yet strong, it can be destroyed in seconds if handled carelessly or endure for millenia. It isn't the stuff of the soul, which though as numinous as the seafoam, is eternal. I made a window in the canvas- the beautiful blue-green glass hides a secret. Beneath the drawing is nestled a little golden butterfly. Gold, I believe (chemists, please advise...) is the only element that doesn't decay. At any rate, it's meant that when the illusion of life is gone- when all the beauty of the flesh has ceased (and Psyche was the most beautiful mortal ) The soul lives forever.

Tuesday, February 23, 2010

Vesta


Here is my little homage to Vesta, the Roman goddess of the hearth. Apparently she was never depicted as a human- as many of the gods were, but by fire itself. Her temple was round and circles are associated with her. The Vestal Virgins tended her sacred flame.
She was honored by all Romans, but especially by women, those who tended their own sacred hearths.

Queen of Heaven


Here is a piece I will be showing at the Bezazian Library in Chicago beginning next week. It is to be a gift for my lovely friend, Cathy

My first entry

Here is my first attempt to transcend my fear of technology- let's see how this goes!

Hoping to find a place on the web to show some of the art work I've been doing.
Blessings!
Laura